Blumhouse Productions
Dynamic entity page generated from imported ScreenProfits movie metadata.
Production Company
Studio
Movies86
Years2005-2025
Avg Score71.7
Worldwide Gross$6,219,288,914
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Night Swim | 2024 | 73.2 | 78.1% | 89.2% | $55M | $8M | $8M |
|
Sinister 2 | 2015 | 73.0 | 82.8% | 84.9% | $53M | $25M | $34M |
|
The Visit | 2015 | 72.5 | 64.4% | 89.9% | $98M | $61M | $83M |
|
Ouija | 2014 | 72.5 | 80.8% | 90.7% | $104M | $61M | $83M |
|
Invisible Life | 2019 | 71.6 | 73.1% | 61.3% | $2M | -$2M | -$2M |
|
The Boy Next Door | 2015 | 71.6 | 80.6% | 84.6% | $52M | $40M | $54M |
|
Paranormal Activity: The Ghost Dimension | 2015 | 71.3 | 77.9% | 88.1% | $79M | $31M | $42M |
|
Imaginary | 2024 | 70.9 | 71.6% | 87.5% | $44M | $7M | $7M |
|
The Lazarus Effect | 2015 | 68.8 | 78.2% | 80.9% | $38M | $33M | $45M |
|
Don't Let Go | 2019 | 68.3 | 70.9% | 69.4% | $5M | $7M | $9M |
|
Black Christmas | 2019 | 67.9 | 73.8% | 78.6% | $19M | $12M | $16M |
|
The Woman in the Yard | 2025 | 67.4 | 67.5% | 79.8% | $23M | -$3M | -$3M |
|
Firestarter | 2022 | 66.7 | 73.1% | 78.4% | $15M | $5M | $5M |
|
Afraid | 2024 | 66.5 | 68.9% | 78.5% | $13M | -$6M | -$6M |
|
The Gallows | 2015 | 65.1 | 70.1% | 82.0% | $43M | $40M | $54M |
|
Stockholm | 2019 | 64.3 | 70.4% | 57.7% | $1M | $7M | $9M |
|
The Vigil | 2021 | 62.3 | 61.1% | 59.3% | $1M | $6M | $7M |
|
13 Sins | 2014 | 61.2 | 70.5% | 51.3% | $827K | $3M | $4M |
|
The Darkness | 2016 | 58.5 | 66.2% | 71.1% | $11M | $14M | $20M |
|
Incarnate | 2016 | 58.2 | 62.4% | 69.6% | $9M | $9M | $13M |
|
Lowriders | 2017 | 57.0 | 48.4% | 67.0% | $6M | $8M | $10M |
|
The Fairy | 2012 | 55.2 | 79.3% | 34.9% | $130K | -$45M | -$61M |
|
In a Valley of Violence | 2016 | 52.8 | 67.6% | 27.1% | $62K | $7M | $9M |
|
Out in the Dark | 2013 | 51.9 | 67.5% | 31.3% | $66K | $3M | $4M |
|
Jem and the Holograms | 2015 | 51.8 | 56.4% | 56.4% | $2M | $10M | $13M |
|
Invisible Hands | 2018 | 46.2 | 63.7% | 0.1% | $1K | -$21K | -$27K |
|
Emptying the Skies | 2015 | 44.1 | 64.8% | 12.6% | $12K | -$731K | -$872K |
|
Cracked Up | 2019 | 44.0 | 66.9% | 7.6% | $9K | $867K | $1M |
|
The Babymakers | 2012 | 43.0 | 49.5% | 46.0% | $476K | -$968K | -$1M |
|
Blackmail Boy | 2005 | 37.4 | 56.1% | 16.9% | $22K | $3M | $5M |
|
The Night | 2021 | 36.5 | 39.4% | 32.9% | $98K | $4M | $5M |
|
Glass | 2008 | 35.5 | 42.9% | 17.5% | $32K | -$96M | -$143M |
|
Area 51 | 2015 | 35.3 | 58.7% | 9.5% | $8K | -$3M | -$5M |
|
Wolf Children | 2025 | 35.0 | 30.4% | 31.6% | $289K | -$24M | -$24M |
|
Plush | 2013 | 32.2 | 37.2% | 23.2% | $29K | -$2M | -$2M |
|
The Ghoul | 2017 | 29.3 | 28.4% | 16.9% | $18K | -$247K | -$325K |