Annapurna Pictures
Dynamic entity page generated from imported ScreenProfits movie metadata.
Production Company
Distributor
Studio
Movies38
Years2008-2023
Avg Score74.0
Worldwide Gross$1,925,793,567
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
American Hustle | 2013 | 92.8 | 96.3% | 95.2% | $251M | $76M | $107M |
|
Zero Dark Thirty | 2012 | 91.1 | 94.3% | 91.7% | $133M | $10M | $15M |
|
Her | 2013 | 90.5 | 98.1% | 82.9% | $48M | -$14M | -$19M |
|
Hustlers | 2019 | 88.9 | 92.1% | 93.6% | $158M | $53M | $67M |
|
Sausage Party | 2016 | 87.7 | 94.4% | 91.7% | $141M | $56M | $76M |
|
Bombshell | 2019 | 87.2 | 93.2% | 87.5% | $61M | -$21M | -$25M |
|
Booksmart | 2019 | 87.0 | 93.3% | 81.2% | $25M | $7M | $9M |
|
Vice | 2018 | 86.8 | 93.8% | 90.2% | $76M | -$42M | -$52M |
|
Terminator Genisys | 2015 | 86.4 | 96.3% | 97.7% | $441M | -$18M | -$19M |
|
Phantom Thread | 2017 | 85.8 | 89.5% | 84.7% | $48M | -$28M | -$36M |
|
Lawless | 2012 | 85.7 | 92.8% | 85.2% | $55M | -$7M | -$9M |
|
Joy | 2015 | 84.3 | 90.0% | 90.5% | $101M | -$32M | -$41M |
|
Sorry to Bother You | 2018 | 83.8 | 89.6% | 79.0% | $18M | $8M | $10M |
|
Foxcatcher | 2014 | 82.8 | 90.5% | 76.8% | $19M | -$23M | -$30M |
|
If Beale Street Could Talk | 2018 | 82.1 | 84.9% | 80.1% | $21M | -$11M | -$13M |
|
The Master | 2012 | 81.8 | 87.8% | 79.0% | $28M | -$31M | -$42M |
|
Killing Them Softly | 2012 | 81.7 | 90.5% | 82.4% | $38M | -$11M | -$15M |
|
The Sisters Brothers | 2018 | 80.9 | 87.1% | 75.7% | $13M | -$43M | -$54M |
|
She Said | 2022 | 80.5 | 80.9% | 77.3% | $14M | -$34M | -$36M |
|
Detroit | 2017 | 80.0 | 82.1% | 78.1% | $23M | -$32M | -$41M |
|
Death Wish | 2018 | 79.5 | 87.9% | 87.2% | $50M | -$18M | -$23M |
|
Spring Breakers | 2013 | 78.1 | 87.3% | 80.5% | $32M | $7M | $10M |
|
The Grandmaster | 2013 | 75.4 | 70.7% | 85.6% | $64M | -$258M | -$348M |
|
20th Century Women | 2016 | 74.6 | 78.6% | 66.8% | $7M | -$8M | -$11M |
|
Where'd You Go, Bernadette | 2019 | 73.3 | 76.9% | 75.0% | $11M | -$21M | -$26M |
|
Everybody Wants Some!! | 2016 | 72.9 | 79.9% | 62.4% | $5M | -$12M | -$15M |
|
Destroyer | 2018 | 72.0 | 78.8% | 68.6% | $6M | -$16M | -$20M |
|
Kajillionaire | 2020 | 69.1 | 74.7% | 62.2% | $1M | -$2M | -$2M |
|
Professor Marston & the Wonder Women | 2017 | 68.7 | 74.0% | 55.7% | $2M | -$2M | -$3M |
|
Brad's Status | 2017 | 65.7 | 68.1% | 61.7% | $4M | -$6M | -$7M |
|
Shanghai Calling | 2013 | 57.1 | 79.4% | 14.1% | $10K | -$26M | -$35M |
|
Tazza: The Hidden Card | 2014 | 56.5 | 31.0% | 80.7% | $31M | -$5M | -$7M |
|
The Bad Batch | 2017 | 55.7 | 75.7% | 38.1% | $202K | -$7M | -$9M |
|
Wiener-Dog | 2016 | 55.4 | 60.0% | 47.7% | $735K | -$925K | -$1M |
|
She Will | 2022 | 46.1 | 49.8% | 21.6% | $41K | -$36M | -$39M |
|
Landscape with Invisible Hand | 2023 | 44.8 | 48.3% | 31.0% | $203K | -$256K | -$270K |
|
Death House | 2018 | 38.3 | 56.7% | 14.3% | $24K | -$34M | -$42M |
|
Who Does She Think She Is? | 2008 | 21.5 | 6.7% | 2.9% | $3K | -$352K | -$47M |