A24 (United States)
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Movies33
Years2013-2025
Avg Score71.0
Worldwide Gross$668,531,298
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Civil War | 2024 | 91.7 | 98.4% | 93.1% | $127M | $7M | $9M |
|
Room | 2015 | 90.0 | 97.6% | 80.1% | $35M | -$8M | -$11M |
|
Ex Machina | 2015 | 89.7 | 98.5% | 80.6% | $37M | -$7M | -$9M |
|
Midsommar | 2019 | 88.9 | 98.3% | 85.8% | $48M | $11M | $14M |
|
Uncut Gems | 2019 | 88.7 | 97.5% | 86.4% | $50M | $8M | $10M |
|
Past Lives | 2023 | 88.5 | 92.8% | 82.2% | $43M | -$5M | -$5M |
|
The Witch | 2016 | 87.5 | 97.1% | 82.3% | $40M | $18M | $24M |
|
The Lighthouse | 2019 | 86.9 | 97.0% | 78.2% | $18M | -$11M | -$14M |
|
The Iron Claw | 2023 | 86.3 | 88.3% | 82.9% | $45M | -$2M | -$1M |
|
Materialists | 2025 | 83.5 | 83.1% | 91.3% | $106M | $11M | $11M |
|
Pearl | 2022 | 83.1 | 90.2% | 73.6% | $10M | -$2M | -$2M |
|
Love Lies Bleeding | 2024 | 82.3 | 85.3% | 78.3% | $13M | -$7M | -$7M |
|
The Green Knight | 2021 | 81.7 | 89.8% | 78.2% | $19M | -$5M | -$5M |
|
Locke | 2014 | 79.4 | 89.4% | 66.6% | $5M | -$2M | -$2M |
|
First Reformed | 2018 | 77.7 | 86.4% | 65.6% | $4M | -$4M | -$5M |
|
Under the Skin | 2014 | 77.6 | 89.5% | 67.7% | $6M | -$17M | -$22M |
|
Waves | 2019 | 74.4 | 79.7% | 64.0% | $3M | -$7M | -$9M |
|
Queer | 2024 | 73.6 | 76.4% | 72.4% | $7M | -$56M | -$56M |
|
The Bling Ring | 2013 | 73.4 | 81.8% | 76.4% | $20M | -$6M | -$9M |
|
Gloria Bell | 2019 | 71.2 | 69.3% | 75.1% | $11M | -$4M | -$5M |
|
High Life | 2019 | 70.9 | 81.6% | 62.3% | $2M | -$9M | -$12M |
|
American Honey | 2016 | 68.8 | 77.2% | 56.7% | $2M | -$5M | -$6M |
|
Dark Places | 2015 | 64.1 | 76.9% | 63.8% | $5M | -$14M | -$19M |
|
The Eternal Daughter | 2022 | 56.2 | 56.5% | 49.3% | $568K | -$873K | -$961K |
|
How to Talk to Girls at Parties | 2018 | 55.5 | 67.8% | 44.8% | $386K | -$575K | -$737K |
|
Aftersun | 2022 | 54.6 | 28.1% | 72.9% | $9M | -$3M | -$3M |
|
The Souvenir: Part II | 2021 | 52.9 | 45.6% | 44.6% | $381K | -$560K | -$665K |
|
Trespass Against Us | 2017 | 51.3 | 58.1% | 45.8% | $517K | -$828K | -$1M |
|
The Audience | 2019 | 45.8 | 28.8% | 48.9% | $523K | -$12M | -$15M |
|
On Becoming a Guinea Fowl | 2025 | 43.7 | 38.4% | 29.0% | $237K | -$305K | -$305K |
|
The River and the Wall | 2019 | 43.0 | 34.1% | 34.5% | $184K | -$12M | -$15M |
|
La civil | 2023 | 42.7 | 37.7% | 30.8% | $200K | -$56M | -$58M |
|
Architecton | 2025 | 37.7 | 23.5% | 30.1% | $265K | -$318K | -$318K |