Synopsis
Three courageous young Americans prevent a terrorist attack on a train bound for Paris.
Scores
Overall Score
73.8
Popularity Percentile (Year)
79.4%
Box Office Percentile (Year)
88.2%
Review Aggregate
35.8
Critic Consensus
Critic reception is largely negative, with 24% of 165 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thin plot, historical, realistic. Many reviews cite pacing issues, thin plot as the main reasons it falls short.
thin plothistoricalrealisticpacing issuesstylizedupliftingcharacter-drivengrittyuneven tonepolitical
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|---|---|---|---|
| Anthony Sadler | 2018 | $1,443,000 | $1,803,000 | (est) |
| Alek Skarlatos | 2018 | $888,000 | $1,110,000 | (est) |
| Spencer Stone | 2018 | $669,000 | $836,000 | (est) |
| Judy Greer | 2018 | $547,000 | $683,000 | (est) |
| Jenna Fischer | 2018 | $468,000 | $584,000 | (est) |
| William Jennings | 2018 | $412,000 | $514,000 | (est) |
| Bryce Gheisar | 2018 | $370,000 | $462,000 | (est) |
| Paul-Mikel Williams | 2018 | $337,000 | $421,000 | (est) |
| Thomas Lennon | 2018 | $310,000 | $387,000 | (est) |
| P. J. Byrne | 2018 | $288,000 | $360,000 | (est) |
| Tony Hale | 2018 | $269,000 | $337,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score24.0
RT critic review count165
Rotten Tomatoes audience score37.0
RT audience rating count2,500
IMDb rating5.3
IMDb votes36,710
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic | 2018 | $36,276,286 | $45,320,075 |
| International | 2018 | $20,900,000 | $26,110,434 |
| Worldwide | 2018 | $57,176,286 | $71,430,509 |
Earnings / Profitability
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue | 2018 | $26,498,143 | $33,104,211 |
| Digital Rentals ? | 2018 | $3,824,000 | $4,777,335 |
| Digital Purchases ? | 2018 | $4,611,000 | $5,760,536 |
| Physical Rentals ? | 2018 | $2,356,000 | $2,943,358 |
| Physical Purchases ? | 2018 | $6,682,000 | $8,347,843 |
| TV & Streaming Revenue | 2018 | $9,069,072 | $11,330,019 |
| Total Revenues | 2018 | $53,040,214 | $66,263,303 |
| Expenses | |||
| Budget ? | 2018 | $30,000,000 | $37,479,092 |
| Print & Advertising (P&A) ? | 2018 | $27,114,000 (est) | $33,873,603 (est) |
| Participations | 2018 | $1,061,000 | $1,325,511 |
| Residuals ? | 2018 | $1,345,000 | $1,680,313 |
| Interest & Overhead | 2018 | $5,100,000 | $6,371,446 |
| Total Expenses | 2018 | $64,620,000 | $80,729,964 |
| Movie Net Profit or Loss | 2018 | $-11,579,786 | $-14,466,662 |
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| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|---|---|---|---|---|
 | Captain Phillips | 2013 | Shared genres: 5 | 93.9 | $16,366,024 |
 | The Phantom of the Opera | 2004 | Shared genres: 5 | 85.2 | $28,746,640 |
 | Frantic | 1988 | Shared genres: 5 | 76.5 | $19,192,462 |
 | Michael Collins | 1996 | Shared genres: 5 | 64.0 | $10,649,494 |
 | The Woman in the Fifth | 2012 | Shared genres: 5 | 46.5 | $9,815,988 |