Synopsis
Young, beautiful and intelligent, Trevor (screenwriter Brent Gorski) is in a stalemate. Entangled in an unhealthy relationship with Darrell, a self-destructive heroin addict, and trapped in a telemarketing job, Trevor finds scant comfort in Los Angeles' vapid party scene, where conversation rarely rises above inquiries like "So, are you an actor?" Worse still, he and his two best friends - roommate Andie and singer Jake - are being pulled apart by boredom and discontent. At the hospital for his boyfriend's latest overdose, Trevor finds a potential new beginning in Ephram, a medical intern with ambition, a warm demeanor and strikingly good looks. After they spend a romantic evening together, Trevor seems poised to make some changes. He begins by ending his relationship with Darrell and then strives to reconnect with Andie and Jake. But what should be a joyous event - a party celebrating a negative HIV test - explodes into rage and sorrow. Darrell shows up unannounced and makes a scene, Ephram suggests that Trevor isn't ready for a commitment, and Andie, reeling from a painful revelation, kicks Trevor while he's down. Though pulled in multiple directions, Trevor remains committed to bettering his life. But first he must realize that some people are too precious to abandon. Director Rosser Goodman (That's What I'm Talkin' 'Bout, Frameline29) finds rich emotional territory in Gorski's script, keeping it both focused and raw.
Scores
Popularity Percentile (Year)
22.5%
Box Office Percentile (Year)
12.4%
Critic Consensus
28.6% Fresh • 7 critic reviews
Critic reception is largely negative, with 29% of 7 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thin plot, realistic, emotional. Many reviews cite thin plot as the main reasons it falls short.
thin plotrealisticemotionalcharacter-drivenromanticvisually striking
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| Brent Gorski | 2008 | $3,000 | $5,000 | (est) |
| Jay Brannan | 2008 | $2,000 | $3,000 | (est) |
| Melissa Searing | 2008 | $1,000 | $2,000 | (est) |
| Eli Kranski | 2008 | $1,000 | $2,000 | (est) |
| Christopher Wyllie | 2008 | $1,000 | $1,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score25.0
RT critic review count8
Rotten Tomatoes audience score30.0
RT audience rating count250
IMDb rating5.4
IMDb votes1,498
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2008 | $16,814 | $24,499 |
| International | 2008 | N/A | N/A |
| Worldwide | 2008 | $16,814 | $24,499 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2008 | $8,407 | $12,249 |
| Digital Rentals ? | 2008 | $188,000 | $273,923 |
| Digital Purchases ? | 2008 | $67,000 | $97,621 |
| Physical Rentals ? | 2008 | $1,557,000 | $2,268,606 |
| Physical Purchases ? | 2008 | $3,227,000 | $4,701,857 |
| TV & Streaming Revenue | 2008 | $16,500 | $24,041 |
| Total Revenues | 2008 | $5,063,907 | $7,378,298 |
| Expenses |
| Budget ? | 2008 | $55,000 | $80,137 |
| Print & Advertising (P&A) ? | 2008 | $80,000 (est) | $116,563 (est) |
| Participations | 2008 | $203,000 | $295,778 |
| Residuals ? | 2008 | $356,000 | $518,705 |
| Interest & Overhead | 2008 | $11,000 | $16,027 |
| Total Expenses | 2008 | $705,000 | $1,027,211 |
| Movie Net Profit or Loss | 2008 | $4,358,907 | $6,351,087 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Brokeback Mountain | 2005 | Shared genres: 4 | 94.0 | $116,677,420 |
 | Love, Simon | 2018 | Shared genres: 4 | 90.0 | $13,733,735 |
 | Call Me by Your Name | 2017 | Shared genres: 4 | 90.0 | $30,149,743 |
 | Portrait of a Lady on Fire | 2019 | Shared genres: 4 | 85.7 | $7,881,494 |
 | Carol | 2015 | Shared genres: 4 | 85.4 | $11,125,761 |
Tooltips
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $2,939,000, BluRay $288,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=79239;reg_main_pred=387777
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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