Movie Box Office and Profits
Cumulative WW Box Office$818,962,342
Cumulative Profit$40,736,676
Cumulative Domestic Box Office$263,212,534
Average WW Box Office$18,612,780
Average Domestic Box Office$5,982,103
Average Profit / Loss Per Film$925,834
Filmography
| Poster | Movie | Year | Roles | Overall Score | Worldwide | Profit |
|---|---|---|---|---|---|---|
 | Bring Them Down | 2025 | Distributor, Production Company, Studio | 51.3 | $567,895 | $3,144,144 |
 | Die My Love | 2025 | Distributor | 71.2 | $11,920,168 | $-11,588,101 |
 | Grand Theft Hamlet | 2025 | Distributor | 44.4 | $218,040 | $2,318,342 |
 | Grand Tour | 2025 | Distributor | 49.3 | $852,168 | $608,148 |
 | Hot Milk | 2025 | Studio | 41.4 | $708,436 | $-2,130,463 |
 | Lurker | 2025 | Distributor | 40.5 | $254,608 | $2,937,878 |
 | Magic Farm | 2025 | Distributor, Production Company, Studio | 29.8 | $93,629 | $1,594,927 |
 | Sentimental Value | 2025 | Distributor | 78.3 | $22,437,440 | $8,698,266 |
 | Bird | 2024 | Distributor | 63.7 | $1,945,200 | $2,304,983 |
 | Crossing | 2024 | Distributor | 57.1 | $627,957 | $2,697,543 |
 | Dahomey | 2024 | Distributor | 52.6 | $593,052 | $3,279,596 |
 | Do Not Expect Too Much from the End of the World | 2024 | Distributor, Studio | 49.3 | $92,360 | $3,113,342 |
 | Gasoline Rainbow | 2024 | Distributor, Production Company, Studio | 35.1 | $29,068 | $1,354,534 |
 | High & Low - John Galliano | 2024 | Distributor, Studio | 43.4 | $337,254 | $2,608,753 |
 | How to Have Sex | 2024 | Distributor, Studio | 65.3 | $1,221,661 | $3,212,299 |
 | The End | 2024 | Studio | 40.7 | $269,609 | $3,715,440 |
 | The Fall | 2024 | Distributor | 47.9 | $315,086 | $-162,711,982 |
 | The Girl with the Needle | 2024 | Distributor | 62.4 | $531,342 | $3,396,056 |
 | The Settlers | 2024 | Distributor | 50.7 | $113,466 | $2,421,990 |
 | The Substance | 2024 | Distributor | 92.6 | $77,316,816 | $4,809,555 |
 | Alcarràs | 2023 | Distributor | 64.9 | $3,358,187 | $2,679,984 |
 | Fallen Leaves | 2023 | Distributor | 74.5 | $6,629,252 | $10,525,940 |
 | Memory | 2023 | Production Company | 63.0 | $2,074,586 | $5,363,813 |
 | One Fine Morning | 2023 | Production Company | 61.5 | $1,467,217 | $4,221,769 |
 | Passages | 2023 | Distributor | 64.0 | $1,116,810 | $7,855,562 |
 | The Delinquents | 2023 | Distributor, Studio | 49.2 | $313,531 | $2,319,140 |
 | The Five Devils | 2023 | Distributor | 53.6 | $497,028 | $-310,522 |
 | Aftersun | 2022 | Studio | 54.6 | $8,892,924 | $7,766,565 |
 | Decision to Leave | 2022 | Distributor | 82.8 | $21,710,920 | $14,076,700 |
 | Free Chol Soo Lee | 2022 | Distributor, Studio | 36.0 | $56,122 | $4,117,457 |
 | Great Freedom | 2022 | Distributor | 57.9 | $218,511 | $5,509,599 |
 | Lingui | 2022 | Distributor, Studio | 39.0 | $37,685 | $2,930,829 |
 | The African Desperate | 2022 | Distributor, Studio | 31.3 | $29,763 | $2,901,882 |
 | Azor | 2021 | Distributor, Studio | 43.3 | $80,026 | $6,594,404 |
 | State Funeral | 2021 | Distributor, Studio | 35.8 | $48,003 | $1,822,335 |
 | Sweat | 2021 | Distributor | 39.0 | $11,546 | $2,086,773 |
 | What Do We See When We Look at the Sky? | 2021 | Distributor, Studio | 36.1 | $32,279 | $3,462,056 |
 | Farewell Amor | 2020 | Production Company, Studio | 32.6 | $4,689 | $1,474,344 |
 | The Other Lamb | 2020 | Studio | 38.5 | $7,385 | $2,549,556 |
 | Ryuichi Sakamoto: Coda | 2018 | Distributor, Studio | 54.0 | $984,803 | $5,190,397 |
 | Memoria | 2016 | Studio | 20.0 | $2,242 | $-183,879 |
 | Seondal: The Man Who Sells the River | 2016 | Production Company | 46.4 | $14,777,982 | $223,879 |
 | The Revenant | 2015 | Production Company | 95.2 | $532,950,500 | $41,194,594 |
 | Birdman or (The Unexpected Virtue of Ignorance) | 2014 | Production Company | 92.6 | $103,215,096 | $30,578,248 |
Basic Facts
Namemubi united kingdom ireland germany and austria
TypeCompany
Role(s)
Distributor
Production Company
Studio
Films in database44
Years in database2014-2025
Role counts
Distributor: 33
Studio: 20
Production Company: 9
Movie Data
Average Movie Score53.0
Movie Score Min20.0
Movie Score Max95.2