Synopsis
William S. Burroughs: featuring never before seen footage as well as exclusive interviews with his closest friends and colleagues. Born the heir of the Burroughs' adding machine estate, he struggled throughout his life with addiction, control systems, and self. He was forced to deal with the tragedy of killing his wife and the repercussions of neglecting his son. His novel, Naked Lunch, was one of the last books to be banned by the U.S. government. Allen Ginsberg and Norman Mailer testified on behalf of the book. The courts eventually overturned their decision in 1966, ruling that the book had an important social value. It remains one of the most recognized literary works of the 20th century. William Burroughs was one of the first to cross the dangerous boundaries of queer and drug culture in the 1950s, and write about his experiences. Eventually he was hailed the godfather of the beat generation and influenced artists for generations to come. However, his friends were left wondering, did William ever find happiness? This extremely personal documentary breaks the surface of the troubled and brilliant world of one of the greatest authors of all time. "William S. Burroughs: A Man Within" is the first and only posthumous documentary about this legendary figure.
Scores
Popularity Percentile (Year)
21.3%
Box Office Percentile (Year)
23.1%
Critic Consensus
86.7% Fresh • 15 critic reviews
Critic reception is largely positive, with 87% of 15 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize stylized, character-driven, emotional. Most critics frame the film as an effective delivery of its core style and intent.
stylizedcharacter-drivenemotionalvisually strikingthought-provokingrealistic
Aggregated Reviews
Rotten Tomatoes critic score88.0
RT critic review count17
Rotten Tomatoes audience score76.0
RT audience rating count500
IMDb rating7.1
IMDb votes1,275
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2010 | $46,380 | $66,710 |
| International | 2010 | N/A | N/A |
| Worldwide | 2010 | $46,380 | $66,710 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2010 | $23,190 | $33,355 |
| Digital Rentals ? | 2010 | $925,000 | $1,330,456 |
| Digital Purchases ? | 2010 | $270,000 | $388,349 |
| Physical Rentals ? | 2010 | $2,172,000 | $3,124,055 |
| Physical Purchases ? | 2010 | $4,866,000 | $6,998,919 |
| TV & Streaming Revenue | 2010 | $69,600 | $100,108 |
| Total Revenues | 2010 | $8,325,790 | $11,975,242 |
| Expenses |
| Budget ? | 2010 | $232,000 (est) | $333,693 (est) |
| Print & Advertising (P&A) ? | 2010 | $80,000 (est) | $115,066 (est) |
| Participations | 2010 | $333,000 | $478,964 |
| Residuals ? | 2010 | $563,000 | $809,780 |
| Interest & Overhead | 2010 | $46,400 | $66,739 |
| Total Expenses | 2010 | $1,254,400 | $1,804,242 |
| Movie Net Profit or Loss | 2010 | $7,071,390 | $10,171,000 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,766 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,890 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,807 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $3,954,000, BluRay $912,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=82478;reg_main_pred=163203
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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