Synopsis
"The Trials of Darryl Hunt" is a feature documentary about a brutal rape/murder case and a wrongly convicted man, Darryl Hunt, who spent nearly twenty years in prison for a crime he did not commit. Both a social justice story and a personally driven narrative, the film chronicles this capital case from 1984 through 2004. With exclusive footage from two decades, the film frames the judicial and emotional response to a chilling crime - and the implications that reverberate from Hunt's conviction - against a backdrop of class and racial bias in the South and in the American criminal justice system. This documentary is the culmination of ten years of research and filming. In 1993, inspired by claims of injustice and police conspiracy, the filmmakers began to shoot in North Carolina. Working from a mix of formats (16mm and 24P video) the film melds the visceral reality of a murder case with first person accounts and cinematic imagery, illuminating perceptions and memories of events as they unfolded for the people closest to this haunting story. This unique look at one man's loss and redemption challenges the assumption that all Americans have the right to unbiased justice. Hunt's story - while one man's personal journey - reflects systemic issues of national concern: cross-racial eyewitness identification, prosecutorial misconduct, inexperienced defense attorneys assigned to capital cases, racial bias in death penalty cases and errors in police procedure. Barry Scheck from The Innocence Project, who worked on Hunt's case for ten years, and Gary Wells, professor and eyewitness expert, offer concrete examples where errors occurred in Hunt's saga and offer future remedies and effective ideas to prevent future "Darryl Hunts." Hunt himself addresses the need for systemic reforms to prevent wrongful convictions, underscoring the haunting reality that Hunt could have been sentenced to death and we would never have known this story.
Scores
Popularity Percentile (Year)
24.1%
Box Office Percentile (Year)
0.7%
Critic Consensus
100.0% Fresh • 10 critic reviews
Critic reception is largely positive, with 100% of 10 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize character-driven, emotional, visually striking. Most critics frame the film as an effective delivery of its core style and intent.
character-drivenemotionalvisually strikingthought-provokingrealistic
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score100.0
RT critic review count11
Rotten Tomatoes audience score89.0
RT audience rating count1,000
IMDb rating7.5
IMDb votes1,104
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2007 | $1,217 | $1,842 |
| International | 2007 | N/A | N/A |
| Worldwide | 2007 | $1,217 | $1,842 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2007 | $608 | $921 |
| Digital Rentals ? | 2007 | $5,000 | $7,566 |
| Digital Purchases ? | 2007 | $2,000 | $3,027 |
| Physical Rentals ? | 2007 | $89,000 | $134,681 |
| Physical Purchases ? | 2007 | $199,000 | $301,140 |
| TV & Streaming Revenue | 2007 | $75,000 | $113,495 |
| Total Revenues | 2007 | $370,608 | $560,829 |
| Expenses |
| Budget ? | 2007 | $250,000 (est) | $378,316 (est) |
| Print & Advertising (P&A) ? | 2007 | $80,000 (est) | $121,061 (est) |
| Participations | 2007 | $7,000 | $10,593 |
| Residuals ? | 2007 | $23,000 | $34,805 |
| Interest & Overhead | 2007 | $50,000 | $75,663 |
| Total Expenses | 2007 | $410,000 | $620,439 |
| Movie Net Profit or Loss | 2007 | $-39,392 | $-59,610 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Bowling for Columbine | 2002 | Shared genres: 2 | 86.1 | $62,944,215 |
 | The Imposter | 2012 | Shared genres: 2 | 73.6 | $17,523,709 |
 | Inside Job | 2010 | Shared genres: 2 | 73.5 | $27,482,976 |
 | Man on Wire | 2008 | Shared genres: 2 | 71.0 | $25,573,549 |
 | Exit Through the Gift Shop | 2010 | Shared genres: 2 | 70.1 | $25,094,296 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $193,000, BluRay $6,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=9500;reg_main_pred=64789
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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