Synopsis
Fifty years ago there were close to half-a-million lions in Africa. Today there are around 20,000. To make matters worse, lions, unlike elephants, which are far more numerous, have virtually no protection under government mandate or through international accords. This is the jumping-off point for a disturbing, well-researched and beautifully made cri de coeur from husband and wife team Dereck and Beverly Joubert, award-winning filmmakers from Botswana who have been Explorers-in-Residence at National Geographic for more than four years. Pointing to poaching as a primary threat while noting the lion's pride of place on the list for eco-tourists-an industry that brings in 200 billion dollars per year worldwide-the Jouberts build a solid case for both the moral duty we have to protect lions (as well as other threatened "big cats," tigers among them) and the economic sense such protection would make. And when one takes into account the fact that big cats are at the very top of the food chain-and that their elimination would wreak havoc on all species below them, causing a complete ecosystem collapse-the need takes on a supreme urgency.
Scores
Popularity Percentile (Year)
34.2%
Box Office Percentile (Year)
43.9%
Critic Consensus
86.5% Fresh • 37 critic reviews
Critic reception is largely positive, with 86% of 37 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize visually striking, emotional, suspenseful. Most critics frame the film as an effective delivery of its core style and intent.
visually strikingemotionalsuspensefulgrittyupliftingfamily-friendly
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score86.0
RT critic review count37
Rotten Tomatoes audience score88.0
RT audience rating count1,000
IMDb rating8.2
IMDb votes4,464
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2011 | $635,325 | $886,178 |
| International | 2011 | N/A | N/A |
| Worldwide | 2011 | $635,325 | $886,178 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2011 | $317,662 | $443,089 |
| Digital Rentals ? | 2011 | $2,408,000 | $3,358,780 |
| Digital Purchases ? | 2011 | $774,000 | $1,079,608 |
| Physical Rentals ? | 2011 | $4,406,000 | $6,145,674 |
| Physical Purchases ? | 2011 | $10,505,000 | $14,652,816 |
| TV & Streaming Revenue | 2011 | $266,836 | $372,195 |
| Total Revenues | 2011 | $18,677,499 | $26,052,162 |
| Expenses |
| Budget ? | 2011 | $699,000 (est) | $974,995 (est) |
| Print & Advertising (P&A) ? | 2011 | $445,000 (est) | $620,705 (est) |
| Participations | 2011 | $747,000 | $1,041,947 |
| Residuals ? | 2011 | $1,234,000 | $1,721,235 |
| Interest & Overhead | 2011 | $139,800 | $194,999 |
| Total Expenses | 2011 | $3,264,800 | $4,553,881 |
| Movie Net Profit or Loss | 2011 | $15,412,699 | $21,498,282 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | March of the Penguins | 2005 | Shared genres: 3 | 83.2 | $97,311,107 |
 | Earth: One Amazing Day | 2017 | Shared genres: 3 | 81.5 | $8,661,223 |
 | Chimpanzee | 2012 | Shared genres: 3 | 75.4 | $33,383,245 |
 | Bears | 2014 | Shared genres: 3 | 69.1 | $21,563,964 |
 | Penguins | 2019 | Shared genres: 3 | 60.6 | $11,187,507 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $8,112,000, BluRay $2,392,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=426929;reg_main_pred=908090
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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