Synopsis
Stolen Childhoods is the first feature documentary on global child labor ever produced. The film features stories of child laborers around the world, told in their own words. Children are shown working in dumps, quarries, brick kilns. One boy has been pressed into forced labor on a fishing platform in the Sea of Sumatra, a fifteen-year-old runaway describes being forced into prostitution on the streets of Mexico City, while a nine-year-old girl picks coffee in Kenya to help her family survive. The film places these children's stories in the broader context of the worldwide struggle against child labor. Stolen Childhoods provides an understanding of the causes of child labor, what it costs the global community, how it contributes to global insecurity and what it will take to eliminate it. The film shows best practice programs that remove children from work and put them in school, so that they have a chance to develop as children and also have a chance of making a reasonable living when they grow up. Stolen Childhoods challenges the viewer to help break the cycle of poverty for the 246 million children laboring at the bottom of the global economy.
Scores
Popularity Percentile (Year)
55.1%
Box Office Percentile (Year)
2.9%
Critic Consensus
88.1% Fresh • 151 critic reviews
Critic reception is largely positive, with 88% of 151 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize family-friendly, lighthearted, funny. Most critics frame the film as an effective delivery of its core style and intent.
family-friendlylightheartedfunnyvisually strikingdarkemotionalsurrealupliftingstylizedhistorical
Aggregated Reviews
Rotten Tomatoes critic score87.0
RT critic review count159
Rotten Tomatoes audience score78.0
RT audience rating count25,000
IMDb rating7.2
IMDb votes41
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2005 | $2,996 | $4,812 |
| International | 2005 | N/A | N/A |
| Worldwide | 2005 | $2,996 | $4,812 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2005 | $1,498 | $2,406 |
| Digital Rentals ? | 2005 | $4,000 | $6,425 |
| Digital Purchases ? | 2005 | $1,000 | $1,606 |
| Physical Rentals ? | 2005 | $248,000 | $398,349 |
| Physical Purchases ? | 2005 | $595,000 | $955,717 |
| TV & Streaming Revenue | 2005 | $70,800 | $113,722 |
| Total Revenues | 2005 | $920,298 | $1,478,226 |
| Expenses |
| Budget ? | 2005 | $236,000 (est) | $379,074 (est) |
| Print & Advertising (P&A) ? | 2005 | $80,000 (est) | $128,500 (est) |
| Participations | 2005 | $18,000 | $28,912 |
| Residuals ? | 2005 | $58,000 | $93,162 |
| Interest & Overhead | 2005 | $47,200 | $75,815 |
| Total Expenses | 2005 | $439,200 | $705,464 |
| Movie Net Profit or Loss | 2005 | $481,098 | $772,762 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 2 | 87.4 | $149,890,766 |
 | Bowling for Columbine | 2002 | Shared genres: 2 | 86.1 | $62,944,215 |
 | Sicko | 2007 | Shared genres: 2 | 84.8 | $42,129,028 |
 | An Inconvenient Truth | 2006 | Shared genres: 2 | 82.0 | $62,959,500 |
 | Citizenfour | 2014 | Shared genres: 2 | 75.1 | $19,458,712 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $11,000, DVD $583,000, BluRay $1,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=15426;reg_main_pred=55347
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
Comments
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