Synopsis
I DON'T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN explores some of the Belgian filmmaker's 40 plus films, and from Brussels to Tel Aviv, from Paris to New York, it charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shared with Marianne Lambert her cinematic trajectory, one that never ceased to interrogate the meaning of her existence. And with her editor and long-time collaborator, Claire Atherton, she examines the origins of her film language, and aesthetic stance.
Scores
Popularity Percentile (Year)
5.8%
Box Office Percentile (Year)
6.0%
Critic Consensus
100.0% Fresh • 8 critic reviews
Critic reception is largely positive, with 100% of 8 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize character-driven, emotional, visually striking. Most critics frame the film as an effective delivery of its core style and intent.
character-drivenemotionalvisually strikingthought-provokingrealistic
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score100.0
RT critic review count8
Rotten Tomatoes audience scoreN/A
RT audience rating count25
IMDb rating7.2
IMDb votes225
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2016 | $7,703 | $10,068 |
| International | 2016 | N/A | N/A |
| Worldwide | 2016 | $7,703 | $10,068 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2016 | $3,852 | $5,034 |
| Digital Rentals ? | 2016 | $155,000 | $202,598 |
| Digital Purchases ? | 2016 | $158,000 | $206,519 |
| Physical Rentals ? | 2016 | $136,000 | $177,763 |
| Physical Purchases ? | 2016 | $384,000 | $501,920 |
| TV & Streaming Revenue | 2016 | $67,200 | $87,836 |
| Total Revenues | 2016 | $904,052 | $1,181,671 |
| Expenses |
| Budget ? | 2016 | $224,000 (est) | $292,787 (est) |
| Print & Advertising (P&A) ? | 2016 | $80,000 (est) | $104,567 (est) |
| Participations | 2016 | $18,000 | $23,528 |
| Residuals ? | 2016 | $47,000 | $61,433 |
| Interest & Overhead | 2016 | $44,800 | $58,557 |
| Total Expenses | 2016 | $413,800 | $540,871 |
| Movie Net Profit or Loss | 2016 | $490,252 | $640,800 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,765 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,891 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,808 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $256,000, BluRay $128,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=32848;reg_main_pred=152421
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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