Synopsis
1963. Thirteen year old Molly Roth, the eldest of three offspring of Gus and Diana Roth, lives a carefree life as part of the affluent white minority in South Africa. Race is a non-issue for her as although, under apartheid, the Roths largely exist among other white people like them, she feels equally comfortable around the black people in her life, such as their servants and her parents' black friends. Beyond knowing that they are busy in their work, Molly is unaware of the full extent of what her parents do, Gus a leading member of the South African Communist Party and Ruth an anti-apartheid journalist who also secretly works for the underground in support of the outlawed African National Congress. Shortly after Gus quietly escapes the country to evade probable arrest by the government - Molly believing it just a short work related trip - Molly's carefree life starts to unravel when Diana is detained for ninety days under a new law that allows such detention without ever even being charged with a criminal offense. The goal of Diana's interrogators, led by Inspector Muller, is to get her to divulge details especially of the underground, most specifically proverbial "names". Beyond missing her mother, Molly begins to resent the anti-apartheid work which has directly and indirectly impacted her life in a negative way, she wanting a mother, not an activist-mother. As the situation with Diana evolves, which includes someone needing to act as caregivers to Molly and her younger sisters while Diana is in detention, Molly gets a broader perspective of her situation under apartheid as she is able to see more of life just outside her protected white enclave, and as she is made aware of what Diana is trying to achieve for society in her work.
Scores
Popularity Percentile (Year)
20.3%
Box Office Percentile (Year)
32.5%
Critic Consensus
100.0% Fresh • 6 critic reviews
Critic reception is largely positive, with 100% of 6 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize visually striking, political, family-friendly. Most critics frame the film as an effective delivery of its core style and intent.
visually strikingpoliticalfamily-friendlycharacter-drivenemotionalthought-provoking
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| Barbara Hershey | 1988 | $140,000 | $371,000 | (est) |
| David Suchet | 1988 | $86,000 | $228,000 | (est) |
| Jeroen Krabbé | 1988 | $65,000 | $172,000 | (est) |
| Paul Freeman | 1988 | $53,000 | $140,000 | (est) |
| Tim Roth | 1988 | $45,000 | $120,000 | (est) |
| Jodhi May | 1988 | $40,000 | $106,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score91.0
RT critic review count11
Rotten Tomatoes audience score80.0
RT audience rating count1,000
IMDb rating7.0
IMDb votes1,933
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 1988 | $2,326,860 | $6,170,211 |
| International | 1988 | N/A | N/A |
| Worldwide | 1988 | $2,326,860 | $6,170,211 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 1988 | $1,163,430 | $3,085,106 |
| Digital Rentals ? | 1988 | N/A | N/A |
| Digital Purchases ? | 1988 | N/A | N/A |
| Physical Rentals ? | 1988 | $7,583,000 | $20,108,090 |
| Physical Purchases ? | 1988 | $3,967,000 | $10,519,424 |
| TV & Streaming Revenue | 1988 | $930,744 | $2,468,084 |
| Total Revenues | 1988 | $13,644,174 | $36,180,705 |
| Expenses |
| Budget ? | 1988 | $2,680,000 | $7,106,644 |
| Print & Advertising (P&A) ? | 1988 | $1,447,000 (est) | $3,837,057 (est) |
| Participations | 1988 | $546,000 | $1,447,846 |
| Residuals ? | 1988 | $890,000 | $2,360,042 |
| Interest & Overhead | 1988 | $536,000 | $1,421,329 |
| Total Expenses | 1988 | $6,099,000 | $16,172,919 |
| Movie Net Profit or Loss | 1988 | $7,545,174 | $20,007,786 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | The Dark Knight | 2008 | Shared genres: 1 | 98.6 | $250,967,554 |
 | The Lord of the Rings: The Two Towers | 2002 | Shared genres: 1 | 98.6 | $353,999,540 |
 | Top Gun: Maverick | 2022 | Shared genres: 1 | 98.4 | $468,504,286 |
 | The Lord of the Rings: The Fellowship of the Ring | 2001 | Shared genres: 1 | 98.2 | $290,785,995 |
 | Saving Private Ryan | 1998 | Shared genres: 1 | 98.2 | $170,641,773 |
Tooltips
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $3,967,000, DVD $0, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=1336085;reg_main_pred=1741083
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
Comments
No approved comments yet.